French Defense: Classical Variation, Pollock Variation

1. e4 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7 7. Qg4

French Defense: Classical Variation, Pollock Variation after 1. e4 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7 7. Qg4 87654321abcdefgh

The French Defense: Classical Variation, Pollock Variation is a chess opening classified as ECO C14, reached after 1. e4 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7 7. Qg4. It is a line of the French Defense. Black is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 155 times by this move order. White won 55%, 4% were drawn and Black won 41%. The most popular continuation is 7… O-O (62% of games).

Engine evaluation: 0.00 (Stockfish, depth 42; best line 7… O-O 8. f4 c5 9. Nf3 Nc6 10. O-O-O)

ECO
C14
Moves
13 plies
FEN
rnb1k2r/pppnqppp/4p3/3pP3/3P2Q1/2N5/PPP2PPP/R3KBNR b KQkq - 1 7
PGN
1. e4 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7 7. Qg4

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-1499450%50%
1500-19997148%51%
2000+8061%31%
All15555%41%

Most played moves

MoveGamesWhite / draw / Black
7… O-O96 (62%)59%36%
7… f523 (15%)52%43%
7… g622 (14%)45%45%
7… f64 (3%)50%50%
7… Kf84 (3%)25%75%
7… Rg82 (1%)50%50%
7… g51 (1%)100%
7… c51 (1%)100%

Master games

107 over-the-board games are classified under this line (White 56%, draw 12%, Black 32%). The strongest:

Search all games of the French Defense: Classical Variation, Pollock Variation and its sub-variations

Highest-rated Lichess games

Comes from

French Defense: Classical Variation (6. Bxe7 Qxe7) 1. e4 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7

More French Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.