Indian Defense: Budapest Gambit Accepted, Main Line, Alekhine Variation, Tartakower Defense

1. d4 Nf6 2. c4 e5 3. dxe5 Ng4 4. e4 d6

Indian Defense: Budapest Gambit Accepted, Main Line, Alekhine Variation, Tartakower Defense after 1. d4 Nf6 2. c4 e5 3. dxe5 Ng4 4. e4 d6 87654321abcdefgh

The Indian Defense: Budapest Gambit Accepted, Main Line, Alekhine Variation, Tartakower Defense is a chess opening classified as ECO A52, reached after 1. d4 Nf6 2. c4 e5 3. dxe5 Ng4 4. e4 d6. It is a line of the Indian Defense. White is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 89 times by this move order. White won 48%, 1% were drawn and Black won 51%. The most popular continuation is 5. exd6 (48% of games).

Engine evaluation: +0.76 (Stockfish, depth 50; best line 5. Be2 Nxe5 6. Nc3 g6 7. h4 h5)

ECO
A52
Moves
8 plies
FEN
rnbqkb1r/ppp2ppp/3p4/4P3/2P1P1n1/8/PP3PPP/RNBQKBNR w KQkq - 0 5
PGN
1. d4 Nf6 2. c4 e5 3. dxe5 Ng4 4. e4 d6

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-1499367%33%
1500-19995444%56%
2000+3253%44%
All8948%51%

Most played moves

MoveGamesWhite / draw / Black
5. exd643 (48%)51%49%
5. Be217 (19%)41%53%
5. Nf311 (12%)64%36%
5. Nc37 (8%)71%29%
5. h35 (6%)100%
5. f43 (3%)100%
5. Bf41 (1%)100%
5. f31 (1%)100%

Master games

13 over-the-board games are classified under this line (White 62%, draw 15%, Black 23%). The strongest:

Search all games of the Indian Defense: Budapest Gambit Accepted, Main Line, Alekhine Variation, Tartakower Defense and its sub-variations

Highest-rated Lichess games

Comes from

Indian Defense: Budapest Gambit Accepted, Main Line, Alekhine Variation 1. d4 Nf6 2. c4 e5 3. dxe5 Ng4 4. e4

More Indian Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.