Italian Game: Two Knights Defense, Blackburne Variation

1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. Ng5 d5 5. exd5 Na5 6. Bb5+ c6 7. dxc6 bxc6 8. Qf3 cxb5

Italian Game: Two Knights Defense, Blackburne Variation after 1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. Ng5 d5 5. exd5 Na5 6. Bb5+ c6 7. dxc6 bxc6 8. Qf3 cxb5 87654321abcdefgh

The Italian Game: Two Knights Defense, Blackburne Variation is a chess opening classified as ECO C58, reached after 1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. Ng5 d5 5. exd5 Na5 6. Bb5+ c6 7. dxc6 bxc6 8. Qf3 cxb5. It is a line of the Italian Game. White is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 335 times by this move order. White won 47%, 3% were drawn and Black won 50%. The most popular continuation is 9. Qxa8 (100% of games).

Engine evaluation: 0.00 (Stockfish, depth 36; best line 9. Qxa8 Be7 10. O-O O-O 11. d4 Qxd4)

ECO
C58
Moves
16 plies
FEN
r1bqkb1r/p4ppp/5n2/np2p1N1/8/5Q2/PPPP1PPP/RNB1K2R w KQkq - 0 9
PGN
1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. Ng5 d5 5. exd5 Na5 6. Bb5+ c6 7. dxc6 bxc6 8. Qf3 cxb5

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-14997166%32%
1500-199915947%51%
2000+10536%61%
All33547%50%

Most played moves

MoveGamesWhite / draw / Black
9. Qxa8334 (100%)48%50%
9. Qc6+1 (0%)100%

Master games

99 over-the-board games are classified under this line (White 34%, draw 19%, Black 47%). The strongest:

Search all games of the Italian Game: Two Knights Defense, Blackburne Variation and its sub-variations

Highest-rated Lichess games

Comes from

Italian Game: Two Knights Defense, Polerio Defense, Bogoljubow Variation 1. e4 e5 2. Nf3 Nc6 3. Bc4 Nf6 4. Ng5 d5 5. exd5 Na5 6. Bb5+ c6 7. dxc6 bxc6 8. Qf3

More Italian Game lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.