King's Indian Defense: Sämisch Variation, Panno Formation

1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 Nc6 7. Nge2 a6

King's Indian Defense: Sämisch Variation, Panno Formation after 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 Nc6 7. Nge2 a6 87654321abcdefgh

The King's Indian Defense: Sämisch Variation, Panno Formation is a chess opening classified as ECO E83, reached after 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 Nc6 7. Nge2 a6. It is a line of the King's Indian Defense. White is to move. 1 named line continues from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 30 times by this move order. White won 63%, 0% were drawn and Black won 37%. The most popular continuation is 8. Qd2 (67% of games).

Engine evaluation: +0.46 (Stockfish, depth 50; best line 8. b3 Bd7 9. d5 Na5 10. Rc1 b5)

ECO
E83
Moves
14 plies
FEN
r1bq1rk1/1pp1ppbp/p1np1np1/8/2PPP3/2N1BP2/PP2N1PP/R2QKB1R w KQ - 0 8
PGN
1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 Nc6 7. Nge2 a6

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
1500-1999475%25%
2000+2662%38%
All3063%37%

Most played moves

MoveGamesWhite / draw / Black
8. Qd220 (67%)75%25%
8. Rc16 (20%)50%50%
8. g42 (7%)100%
8. Nc11 (3%)100%
8. a31 (3%)100%

Master games

296 over-the-board games are classified under this line (White 32%, draw 28%, Black 40%). The strongest:

Search all games of the King's Indian Defense: Sämisch Variation, Panno Formation and its sub-variations

Highest-rated Lichess games

Comes from

King's Indian Defense: Sämisch Variation, Yates Defense 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 Nc6

Continuations

More King's Indian Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.