King's Indian Defense: Sämisch Variation, Sämisch Gambit

1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 c5

King's Indian Defense: Sämisch Variation, Sämisch Gambit after 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 c5 87654321abcdefgh

The King's Indian Defense: Sämisch Variation, Sämisch Gambit is a chess opening classified as ECO E81, reached after 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 c5. It is a line of the King's Indian Defense. White is to move. 1 named line continues from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 378 times by this move order. White won 50%, 6% were drawn and Black won 44%. The most popular continuation is 7. d5 (38% of games).

Engine evaluation: +0.29 (Stockfish, depth 49; best line 7. Nge2 Qa5 8. Nc1 cxd4 9. Nb3 Qb6)

ECO
E81
Moves
12 plies
FEN
rnbq1rk1/pp2ppbp/3p1np1/2p5/2PPP3/2N1BP2/PP4PP/R2QKBNR w KQ - 0 7
PGN
1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O 6. Be3 c5

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-1499520%80%
1500-199910253%41%
2000+27149%45%
All37850%44%

Most played moves

MoveGamesWhite / draw / Black
7. d5142 (38%)46%50%
7. Nge2121 (32%)55%40%
7. dxc596 (25%)51%39%
7. Qd212 (3%)50%50%
7. Bd36 (2%)17%83%
7. e51 (0%)100%

Master games

1,361 over-the-board games are classified under this line (White 37%, draw 22%, Black 41%). The strongest:

Search all games of the King's Indian Defense: Sämisch Variation, Sämisch Gambit and its sub-variations

Highest-rated Lichess games

Comes from

King's Indian Defense: Sämisch Variation, Normal Defense 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5. f3 O-O

Continuations

More King's Indian Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.