Nimzo-Indian Defense: Sämisch Variation (5… c5 6. e3)

1. d4 Nf6 2. c4 e6 3. Nc3 Bb4 4. a3 Bxc3+ 5. bxc3 c5 6. e3

Nimzo-Indian Defense: Sämisch Variation after 1. d4 Nf6 2. c4 e6 3. Nc3 Bb4 4. a3 Bxc3+ 5. bxc3 c5 6. e3 87654321abcdefgh

The Nimzo-Indian Defense: Sämisch Variation is a chess opening classified as ECO E26, reached after 1. d4 Nf6 2. c4 e6 3. Nc3 Bb4 4. a3 Bxc3+ 5. bxc3 c5 6. e3. It is a line of the Nimzo-Indian Defense. Black is to move. 1 named line continues from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 151 times by this move order. White won 50%, 8% were drawn and Black won 42%. The most popular continuation is 6… O-O (41% of games).

Engine evaluation: 0.00 (Stockfish, depth 50; best line 6… b6 7. Bd3 Bb7 8. f3 O-O 9. Ne2)

ECO
E26
Moves
11 plies
FEN
rnbqk2r/pp1p1ppp/4pn2/2p5/2PP4/P1P1P3/5PPP/R1BQKBNR b KQkq - 0 6
PGN
1. d4 Nf6 2. c4 e6 3. Nc3 Bb4 4. a3 Bxc3+ 5. bxc3 c5 6. e3

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-1499560%40%
1500-19996549%46%
2000+8151%40%
All15150%42%

Most played moves

MoveGamesWhite / draw / Black
6… O-O62 (41%)58%39%
6… Nc639 (26%)54%38%
6… b6
Sämisch Variation, O'Kelly Variation
18 (12%)28%16%56%
6… d614 (9%)29%14%57%
6… Qa59 (6%)56%44%
6… d54 (3%)25%75%
6… Na63 (2%)100%
6… Ne41 (1%)100%

Master games

483 over-the-board games are classified under this line (White 44%, draw 21%, Black 35%). The strongest:

Search all games of the Nimzo-Indian Defense: Sämisch Variation and its sub-variations

Highest-rated Lichess games

Comes from

Nimzo-Indian Defense: Sämisch Variation (3… Bb4 4. a3) 1. d4 Nf6 2. c4 e6 3. Nc3 Bb4 4. a3

Continuations

More Nimzo-Indian Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.