Queen's Gambit Accepted: Classical Defense, Rubinstein Variation (6… a6 7. a4)

1. d4 d5 2. c4 dxc4 3. Nf3 Nf6 4. e3 e6 5. Bxc4 c5 6. O-O a6 7. a4

Queen's Gambit Accepted: Classical Defense, Rubinstein Variation after 1. d4 d5 2. c4 dxc4 3. Nf3 Nf6 4. e3 e6 5. Bxc4 c5 6. O-O a6 7. a4 87654321abcdefgh

The Queen's Gambit Accepted: Classical Defense, Rubinstein Variation is a chess opening classified as ECO D27, reached after 1. d4 d5 2. c4 dxc4 3. Nf3 Nf6 4. e3 e6 5. Bxc4 c5 6. O-O a6 7. a4. It is a line of the Queen's Gambit Accepted. Black is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 52 times by this move order. White won 42%, 4% were drawn and Black won 54%. The most popular continuation is 7… Nc6 (71% of games).

Engine evaluation: +0.11 (Stockfish, depth 50; best line 7… Nc6 8. Qe2 cxd4 9. Rd1 Be7 10. exd4)

ECO
D27
Moves
13 plies
FEN
rnbqkb1r/1p3ppp/p3pn2/2p5/P1BP4/4PN2/1P3PPP/RNBQ1RK1 b kq - 0 7
PGN
1. d4 d5 2. c4 dxc4 3. Nf3 Nf6 4. e3 e6 5. Bxc4 c5 6. O-O a6 7. a4

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-14991100%
1500-19991040%50%
2000+4144%54%
All5242%54%

Most played moves

MoveGamesWhite / draw / Black
7… Nc637 (71%)41%57%
7… cxd48 (15%)25%12%63%
7… b66 (12%)83%17%
7… Be71 (2%)100%

Master games

279 over-the-board games are classified under this line (White 36%, draw 29%, Black 35%). The strongest:

Search all games of the Queen's Gambit Accepted: Classical Defense, Rubinstein Variation and its sub-variations

Highest-rated Lichess games

Comes from

Queen's Gambit Accepted: Classical Defense, Main Line (6. O-O a6) 1. d4 d5 2. c4 dxc4 3. Nf3 Nf6 4. e3 e6 5. Bxc4 c5 6. O-O a6

More Queen's Gambit Accepted lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.