Queen's Indian Defense: Fianchetto Variation, Rubinstein Variation

1. d4 Nf6 2. c4 e6 3. Nf3 b6 4. g3 Bb7 5. Bg2 c5 6. d5 exd5 7. Nh4

Queen's Indian Defense: Fianchetto Variation, Rubinstein Variation after 1. d4 Nf6 2. c4 e6 3. Nf3 b6 4. g3 Bb7 5. Bg2 c5 6. d5 exd5 7. Nh4 87654321abcdefgh

The Queen's Indian Defense: Fianchetto Variation, Rubinstein Variation is a chess opening classified as ECO E15, reached after 1. d4 Nf6 2. c4 e6 3. Nf3 b6 4. g3 Bb7 5. Bg2 c5 6. d5 exd5 7. Nh4. It is a line of the Queen's Indian Defense. Black is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 15 times by this move order. White won 40%, 7% were drawn and Black won 53%. The most popular continuation is 7… Be7 (27% of games).

Engine evaluation: +0.47 (Stockfish, depth 50; best line 7… g6 8. O-O Bg7 9. Nc3 O-O 10. Bg5)

ECO
E15
Moves
13 plies
FEN
rn1qkb1r/pb1p1ppp/1p3n2/2pp4/2P4N/6P1/PP2PPBP/RNBQK2R b KQkq - 1 7
PGN
1. d4 Nf6 2. c4 e6 3. Nf3 b6 4. g3 Bb7 5. Bg2 c5 6. d5 exd5 7. Nh4

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
1500-1999367%33%
2000+1233%58%
All1540%53%

Most played moves

MoveGamesWhite / draw / Black
7… Be74 (27%)50%50%
7… g63 (20%)100%
7… d63 (20%)67%33%
7… b52 (13%)50%50%
7… Qc71 (7%)100%
7… Qc81 (7%)100%
7… Na61 (7%)100%

Master games

181 over-the-board games are classified under this line (White 44%, draw 17%, Black 39%). The strongest:

Search all games of the Queen's Indian Defense: Fianchetto Variation, Rubinstein Variation and its sub-variations

Highest-rated Lichess games

Comes from

Queen's Indian Defense: Fianchetto Variation, Sämisch Variation 1. d4 Nf6 2. c4 e6 3. Nf3 b6 4. g3 Bb7 5. Bg2 c5

More Queen's Indian Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.