Semi-Slav Defense: Meran Variation, Sozin Variation (12… axb5 13. O-O)
1. d4 d5 2. Nf3 Nf6 3. c4 c6 4. Nc3 e6 5. e3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 a6 9. e4 c5 10. e5 cxd4 11. Nxb5 Nxe5 12. Nxe5 axb5 13. O-O
The Semi-Slav Defense: Meran Variation, Sozin Variation is a chess opening classified as ECO D49, reached after 1. d4 d5 2. Nf3 Nf6 3. c4 c6 4. Nc3 e6 5. e3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 a6 9. e4 c5 10. e5 cxd4 11. Nxb5 Nxe5 12. Nxe5 axb5 13. O-O. It is a line of the Semi-Slav Defense. Black is to move.
This exact move order didn't appear in our sample of 12.6 million Lichess games: it's a rare line.
Engine evaluation: 0.00 (Stockfish, depth 42; best line 13… Qd5 14. Qe2 Ba6 15. Rd1 Bd6 16. Nf3)
- ECO
- D49
- Moves
- 25 plies
- FEN
r1bqkb1r/5ppp/4pn2/1p2N3/3p4/3B4/PP3PPP/R1BQ1RK1 b kq - 1 13- PGN
1. d4 d5 2. Nf3 Nf6 3. c4 c6 4. Nc3 e6 5. e3 Nbd7 6. Bd3 dxc4 7. Bxc4 b5 8. Bd3 a6 9. e4 c5 10. e5 cxd4 11. Nxb5 Nxe5 12. Nxe5 axb5 13. O-O
Analyse with Stockfish · Board image (SVG) · Open on Lichess
Comes from
Queen's Pawn Game: Symmetrical Variation 1. d4 d5 2. Nf3 Nf6
More Semi-Slav Defense lines (all)
- Semi-Slav Defense: Quiet Variation (4… e6 5. Nbd2) D30
- Semi-Slav Defense: Quiet Variation (5. Nbd2 Nbd7) D30
- Semi-Slav Defense: Accelerated Move Order D31
- Semi-Slav Defense: Anti-Noteboom, Stonewall Variation D31
- Semi-Slav Defense: Anti-Noteboom, Stonewall Variation, Portisch Gambit D31
- Semi-Slav Defense: Gunderam Gambit D31
- Semi-Slav Defense: Marshall Gambit D31
- Semi-Slav Defense: Marshall Gambit, Forgotten Variation D31
- Semi-Slav Defense: Marshall Gambit, Main Line D31
- Semi-Slav Defense: Marshall Gambit, Tolush Variation D31
- Semi-Slav Defense: Noteboom Variation D31
- Semi-Slav Defense: Noteboom Variation, Abrahams Variation D31
Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.