Sicilian Defense: Najdorf Variation (5… a6 6. Bg5)

1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Bg5

Sicilian Defense: Najdorf Variation after 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Bg5 87654321abcdefgh

The Sicilian Defense: Najdorf Variation is a chess opening classified as ECO B94, reached after 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Bg5. It is a line of the Sicilian Defense. Black is to move. 2 named lines continue from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 7,206 times by this move order. White won 48%, 4% were drawn and Black won 48%. The most popular continuation is 6… e6 (70% of games).

Engine evaluation: 0.00 (Stockfish, depth 60; best line 6… e6 7. f4 Qb6 8. Qd2 Qxb2 9. Rb1)

ECO
B94
Moves
11 plies
FEN
rnbqkb1r/1p2pppp/p2p1n2/6B1/3NP3/2N5/PPP2PPP/R2QKB1R b KQkq - 1 6
PGN
1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6 6. Bg5

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-149936856%41%
1500-19993,19046%50%
2000+3,64848%46%
All7,20648%48%

Most played moves

MoveGamesWhite / draw / Black
6… e6
Najdorf Variation (6. Bg5 e6)
5,017 (70%)47%48%
6… Nbd71,058 (15%)47%48%
6… e5741 (10%)46%50%
6… g687 (1%)56%40%
6… Nc683 (1%)57%40%
6… h682 (1%)61%34%
6… b554 (1%)65%33%
6… Qa524 (0%)54%42%

Master games

7,037 over-the-board games are classified under this line (White 39%, draw 18%, Black 43%). The strongest:

Search all games of the Sicilian Defense: Najdorf Variation and its sub-variations

Highest-rated Lichess games

Comes from

Sicilian Defense: Najdorf Variation (5. Nc3 a6) 1. e4 c5 2. Nf3 d6 3. d4 cxd4 4. Nxd4 Nf6 5. Nc3 a6

Continuations

More Sicilian Defense lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.