Four Knights Game: Spanish Variation, Symmetrical Variation (7. Bg5 Ne7)

1. e4 e5 2. Nf3 Nc6 3. Nc3 Nf6 4. Bb5 Bb4 5. O-O O-O 6. d3 d6 7. Bg5 Ne7

Four Knights Game: Spanish Variation, Symmetrical Variation after 1. e4 e5 2. Nf3 Nc6 3. Nc3 Nf6 4. Bb5 Bb4 5. O-O O-O 6. d3 d6 7. Bg5 Ne7 87654321abcdefgh

The Four Knights Game: Spanish Variation, Symmetrical Variation is a chess opening classified as ECO C49, reached after 1. e4 e5 2. Nf3 Nc6 3. Nc3 Nf6 4. Bb5 Bb4 5. O-O O-O 6. d3 d6 7. Bg5 Ne7. It is a line of the Four Knights Game. White is to move. 1 named line continues from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 6 times by this move order. White won 17%, 16% were drawn and Black won 67%. The most popular continuation is 8. Bxf6 (67% of games).

Engine evaluation: +0.12 (Stockfish, depth 42; best line 8. Bxf6 gxf6 9. d4 Kh8 10. Bd3 Bxc3)

ECO
C49
Moves
14 plies
FEN
r1bq1rk1/ppp1nppp/3p1n2/1B2p1B1/1b2P3/2NP1N2/PPP2PPP/R2Q1RK1 w - - 2 8
PGN
1. e4 e5 2. Nf3 Nc6 3. Nc3 Nf6 4. Bb5 Bb4 5. O-O O-O 6. d3 d6 7. Bg5 Ne7

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
2000+617%16%67%
All617%16%67%

Most played moves

MoveGamesWhite / draw / Black
8. Bxf64 (67%)25%75%
8. Nd51 (17%)100%
8. Nh41 (17%)100%

Master games

110 over-the-board games are classified under this line (White 24%, draw 37%, Black 39%). The strongest:

Search all games of the Four Knights Game: Spanish Variation, Symmetrical Variation and its sub-variations

Highest-rated Lichess games

Comes from

Four Knights Game: Spanish Variation, Symmetrical Variation (6. d3 d6) 1. e4 e5 2. Nf3 Nc6 3. Nc3 Nf6 4. Bb5 Bb4 5. O-O O-O 6. d3 d6

Continuations

More Four Knights Game lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.