Queen's Indian Defense, with e3 (8… Bb7 9. Bd3)
1. Nf3 d5 2. e3 Nf6 3. c4 e6 4. Nc3 Be7 5. d4 O-O 6. b3 b6 7. cxd5 exd5 8. Bb2 Bb7 9. Bd3
The Queen's Indian Defense, with e3 is a chess opening classified as ECO E14, reached after 1. Nf3 d5 2. e3 Nf6 3. c4 e6 4. Nc3 Be7 5. d4 O-O 6. b3 b6 7. cxd5 exd5 8. Bb2 Bb7 9. Bd3. Black is to move.
This exact move order didn't appear in our sample of 12.6 million Lichess games: it's a rare line.
Engine evaluation: +0.30 (Stockfish, depth 32; best line 9… Nbd7 10. O-O Bd6 11. Nb5 Be7 12. Ne5)
- ECO
- E14
- Moves
- 17 plies
- FEN
rn1q1rk1/pbp1bppp/1p3n2/3p4/3P4/1PNBPN2/PB3PPP/R2QK2R b KQ - 3 9- PGN
1. Nf3 d5 2. e3 Nf6 3. c4 e6 4. Nc3 Be7 5. d4 O-O 6. b3 b6 7. cxd5 exd5 8. Bb2 Bb7 9. Bd3
Analyse with Stockfish · Board image (SVG) · Open on Lichess
Master games
1 over-the-board game is classified under this line (White 100%, draw 0%, Black 0%). The strongest:
- GM Viktor Erdos (2585) – IM Bence Korpa (2474) 1-0 · TCh-HUN 2016-17 · 2017-04-09
Search all games of the Queen's Indian Defense, with e3 and its sub-variations
Comes from
Zukertort Opening (1. Nf3 d5) 1. Nf3 d5
More Queen's Indian Defense, with e3 lines (all)
- Queen's Indian Defense, with e3 (5… c5 6. c4) E14
- Queen's Indian Defense, with e3 (6. c4 Be7) E14
- Queen's Indian Defense, with e3 (6. c4 g6) E14
- Queen's Indian Defense, with e3 (6… O-O 7. Nc3) E14
- Queen's Indian Defense, with e3 (8… O-O 9. c4) E14
- Queen's Indian Defense, with e3 (5. Nc3 Bb7) E14
- Queen's Indian Defense, with e3 (5… Bd6 6. Bd3) E14
- Queen's Indian Defense, with e3 (7. O-O Bb7) E14
- Queen's Indian Defense, with e3 (6. b3 b6) E14
- Queen's Indian Defense, with e3 (6. Bd3 b6) E14
- Queen's Indian Defense, with e3 (7… Bb7 8. Bd3) E14
- Queen's Indian Defense, with e3 (6… Bb7 7. e3) E14
Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.