Ruy Lopez: Classical Variation, Central Variation

1. e4 e5 2. Nf3 Nc6 3. Bb5 Bc5 4. c3

Ruy Lopez: Classical Variation, Central Variation after 1. e4 e5 2. Nf3 Nc6 3. Bb5 Bc5 4. c3 87654321abcdefgh

The Ruy Lopez: Classical Variation, Central Variation is a chess opening classified as ECO C64, reached after 1. e4 e5 2. Nf3 Nc6 3. Bb5 Bc5 4. c3. It is a line of the Ruy Lopez. Black is to move. 4 named lines continue from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 7,186 times by this move order. White won 54%, 4% were drawn and Black won 42%. The most popular continuation is 4… Nf6 (29% of games).

Engine evaluation: +0.34 (Stockfish, depth 60; best line 4… Nf6 5. d4 exd4 6. e5 Nd5 7. cxd4)

ECO
C64
Moves
7 plies
FEN
r1bqk1nr/pppp1ppp/2n5/1Bb1p3/4P3/2P2N2/PP1P1PPP/RNBQK2R b KQkq - 0 4
PGN
1. e4 e5 2. Nf3 Nc6 3. Bb5 Bc5 4. c3

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-14991,77156%41%
1500-19994,36454%42%
2000+1,05151%45%
All7,18654%42%

Most played moves

MoveGamesWhite / draw / Black
4… Nf62,058 (29%)55%41%
4… d61,942 (27%)58%39%
4… a61,365 (19%)53%43%
4… Nge71,033 (14%)50%46%
4… Qf6305 (4%)43%54%
4… Bb6
Classical Variation, Charousek Variation
112 (2%)53%45%
4… Qe7
Classical Defense, Boden Variation
87 (1%)45%53%
4… f5
Classical Variation, Cordel Gambit
72 (1%)49%44%

Master games

727 over-the-board games are classified under this line (White 52%, draw 22%, Black 26%). The strongest:

Search all games of the Ruy Lopez: Classical Variation, Central Variation and its sub-variations

Highest-rated Lichess games

Comes from

Ruy Lopez: Classical Variation 1. e4 e5 2. Nf3 Nc6 3. Bb5 Bc5

Continuations

More Ruy Lopez lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.