Ruy Lopez: Closed, Borisenko Variation

1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Be7 6. Re1 b5 7. Bb3 d6 8. c3 O-O 9. h3 Na5 10. Bc2 c5 11. d4 Nc6

Ruy Lopez: Closed, Borisenko Variation after 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Be7 6. Re1 b5 7. Bb3 d6 8. c3 O-O 9. h3 Na5 10. Bc2 c5 11. d4 Nc6 87654321abcdefgh

The Ruy Lopez: Closed, Borisenko Variation is a chess opening classified as ECO C96, reached after 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Be7 6. Re1 b5 7. Bb3 d6 8. c3 O-O 9. h3 Na5 10. Bc2 c5 11. d4 Nc6. It is a line of the Ruy Lopez. White is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 3 times by this move order. White won 67%, 0% were drawn and Black won 33%. The most popular continuation is 12. Be3 (33% of games).

Engine evaluation: +0.72 (Stockfish, depth 34; best line 12. d5 Na5 13. b3 Qc7 14. Kh2 g6)

ECO
C96
Moves
22 plies
FEN
r1bq1rk1/4bppp/p1np1n2/1pp1p3/3PP3/2P2N1P/PPB2PP1/RNBQR1K1 w - - 1 12
PGN
1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Be7 6. Re1 b5 7. Bb3 d6 8. c3 O-O 9. h3 Na5 10. Bc2 c5 11. d4 Nc6

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
2000+367%33%
All367%33%

Most played moves

MoveGamesWhite / draw / Black
12. Be31 (33%)100%
12. d51 (33%)100%
12. Nbd21 (33%)100%

Master games

20 over-the-board games are classified under this line (White 45%, draw 25%, Black 30%). The strongest:

Search all games of the Ruy Lopez: Closed, Borisenko Variation and its sub-variations

Highest-rated Lichess games

Comes from

Ruy Lopez: Closed, Chigorin Defense (10. Bc2 c5) 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Be7 6. Re1 b5 7. Bb3 d6 8. c3 O-O 9. h3 Na5 10. Bc2 c5

More Ruy Lopez lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.