Ruy Lopez: Open (8… Be6 9. c3)

1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3

Ruy Lopez: Open after 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3 87654321abcdefgh

The Ruy Lopez: Open is a chess opening classified as ECO C82, reached after 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3. It is a line of the Ruy Lopez. Black is to move. 3 named lines continue from this position.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 142 times by this move order. White won 55%, 8% were drawn and Black won 37%. The most popular continuation is 9… Bc5 (57% of games).

Engine evaluation: +0.26 (Stockfish, depth 50; best line 9… Bc5 10. Nbd2 O-O 11. Bc2 Nxf2 12. Rxf2)

ECO
C82
Moves
17 plies
FEN
r2qkb1r/2p2ppp/p1n1b3/1p1pP3/4n3/1BP2N2/PP3PPP/RNBQ1RK1 b kq - 0 9
PGN
1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
0-1499250%50%
1500-19993148%13%39%
2000+10957%38%
All14255%37%

Most played moves

MoveGamesWhite / draw / Black
9… Bc5
Open, Italian Variation
81 (57%)62%32%
9… Be7
Open, Classical Defense (9. c3 Be7)
54 (38%)44%46%
9… Nc5
Open, Berlin Variation
6 (4%)50%17%33%
9… Qd71 (1%)100%

Master games

9 over-the-board games are classified under this line (White 56%, draw 44%, Black 0%). The strongest:

Search all games of the Ruy Lopez: Open and its sub-variations

Highest-rated Lichess games

Comes from

Ruy Lopez: Open, Main Line 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6

Continuations

More Ruy Lopez lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.