Ruy Lopez: Open, Dilworth Variation

1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3 Bc5 10. Nbd2 O-O 11. Bc2 Nxf2

Ruy Lopez: Open, Dilworth Variation after 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3 Bc5 10. Nbd2 O-O 11. Bc2 Nxf2 87654321abcdefgh

The Ruy Lopez: Open, Dilworth Variation is a chess opening classified as ECO C82, reached after 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3 Bc5 10. Nbd2 O-O 11. Bc2 Nxf2. It is a line of the Ruy Lopez. White is to move.

In 12.6 million rated Lichess games (blitz and slower), this position was reached 15 times by this move order. White won 60%, 0% were drawn and Black won 40%. The most popular continuation is 12. Rxf2 (100% of games).

Engine evaluation: 0.00 (Stockfish, depth 40; best line 12. Rxf2 f6 13. Nf1 Bxf2+ 14. Kxf2 fxe5)

ECO
C82
Moves
22 plies
FEN
r2q1rk1/2p2ppp/p1n1b3/1pbpP3/8/2P2N2/PPBN1nPP/R1BQ1RK1 w - - 0 12
PGN
1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3 Bc5 10. Nbd2 O-O 11. Bc2 Nxf2

Analyse with Stockfish · Board image (SVG) · Open on Lichess

Results by rating

Average ratingGamesWhite / draw / Black
1500-19992100%
2000+1354%46%
All1560%40%

Most played moves

MoveGamesWhite / draw / Black
12. Rxf215 (100%)60%40%

Master games

301 over-the-board games are classified under this line (White 41%, draw 24%, Black 35%). The strongest:

Search all games of the Ruy Lopez: Open, Dilworth Variation and its sub-variations

Highest-rated Lichess games

Comes from

Ruy Lopez: Open, St. Petersburg Variation 1. e4 e5 2. Nf3 Nc6 3. Bb5 a6 4. Ba4 Nf6 5. O-O Nxe4 6. d4 b5 7. Bb3 d5 8. dxe5 Be6 9. c3 Bc5 10. Nbd2

More Ruy Lopez lines (all)

Opening names and moves from the Lichess openings dataset; statistics from the Lichess open database, 2026-09 (CC0), sample of 12.6 million games, bots excluded; evaluations from Lichess cloud analysis (all CC0). Master games from The Week in Chess #920–#1664 by Mark Crowther, used with permission.